Game & Film Assets

I’m a 3D artist with a strong technical and construction-focused mindset, experienced in cinematic and real-time workflows — skills transferable across vehicles, props, and full environments

View Case Studies Watch Demo Reel

Work in Progress

My most recent project in active production. Vehicles, props, environments, and experimental assets.

View WIP Project

Selected Case Studies

Case Study

Armored Vehicle – Full Production Workflow

Personal vehicle project presenting full pipeline from blockout and construction logic to film and game ready asset.

Vehicle · Hard Surface · Film & Game Pipeline

Case Study

Cinematic environment project – lighting and composition workflow

Cinematic Environment – Lighting & Composition

Story-driven environment focused on cinematic composition, lighting and camera language.

Environment · Lighting · Cinematic Workflow

Case Study

Modular game props – trim sheets and optimization workflow

Modular Game Props – Optimization Workflow

Modular hard-surface props built with trim sheets, consistent texel density and real-time constraints.

Game Ready · Trim Sheets · Optimization

Demo Reel

Short reel presenting selected cinematic shots, assets and real-time work. Click to play – no autoplay.

Workflow & Pipeline

Reference & Analysis

Blockout & Construction Logic

High / Low Poly Modeling

UVs & Texel Density

Texturing & Materials

Realtime / Cinematic Setup

About

I’m a 3D Generalist and Hard-Surface Artist with over 20 years of experience in 3D graphics, spatial design, and technical production. I specialize in realistic vehicles, environments, and complex assets where visual quality must meet structural logic and performance constraints.

My background spans exhibition stand design, furniture construction, and high-end architectural visualization, which shaped a practical, engineering-aware approach to modeling and asset creation. I focus on clean topology, optimization, and production-ready workflows.

Hard-surface modeling (vehicles, props, environments)
Blender, Maya, 3ds Max
Geometry Nodes & procedural workflows
PBR texturing and material development
Basic rigging and mechanical setups
High-end rendering and lighting
Unreal Engine (learning: real-time rendering & optimization)
Python (learning: focus on scripting for Blender)
Simulations: TyFlow, Mantaflow (fluids, cloth, rigid bodies)

I see 3D software as a set of tools, not limitations. I choose workflows based on what best serves the project, and I’m always open to learning new techniques if they lead to better visual or technical results.